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Analysis of institutional authors

Roldán Garrote, DavidSupervisor

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Roldán Garrote, David;

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Abstract

[EN] This paper will focus on the relationship between the narrative strategies of atonal music in the opera of the Viennesse School and the cinema of the second half of the twentieth Century. By using a sample of the information transmitted in the musical uses of each dramatic genre, an audiovisual and comparative analysis will be made, based on the operas Erwartung, Wozzeck, Lulú and Moses und Aron and the films Force of evil, The cobweb, Doctor Faustus and The man with the Golden arm. The purpose of this analysis is to show the different ways in which musical narrativity is established as part of the historical course of the past century, as well as to define the way in which their dramatic possibilities and limitations affect cinema and opera.

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Impact and social visibility

It is essential to present evidence supporting full alignment with institutional principles and guidelines on Open Science and the Conservation and Dissemination of Intellectual Heritage. A clear example of this is:

Leadership analysis of institutional authors

There is a significant leadership presence as some of the institution’s authors appear as the first or last signer, detailed as follows: Last Author (Roldán Garrote, David).