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Roldán Garrote, DavidSupervisor

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El atonalismo como música incidental: un estudio comparativo sobre la ópera de la Escuela de Viena y el cine de la segunda mitad del Siglo XX

Date read: 2023-07-28 {_iPublic_txt_centro_}: | ID: 10251/195694

Author: Martín Quintanal, Ruymán

Director: Roldán Garrote, David

Abstract

[EN] This paper will focus on the relationship between the narrative strategies of atonal music in the opera of the Viennesse School and the cinema of the second half of the twentieth Century. By using a sample of the information transmitted in the musical uses of each dramatic genre, an audiovisual and comparative analysis will be made, based on the operas Erwartung, Wozzeck, Lulú and Moses und Aron and the films Force of evil, The cobweb, Doctor Faustus and The man with the Golden arm. The purpose of this analysis is to show the different ways in which musical narrativity is established as part of the historical course of the past century, as well as to define the way in which their dramatic possibilities and limitations affect cinema and opera. (Summary)

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