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Bonet Solves, Victoria EugeniaSupervisorPérez Igualada, JavierSupervisor

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El jardí de la Casa-Estudi Benlliure. Anàlisi i caracterització des de l'arquitectura del paisatge

Date read: 2024-07-15 {_iPublic_txt_centro_}: | ID: 10251/206097

Author: Quintana Seguí, Elisabet

Director: Pérez Igualada, Javier ; Bonet Solves, Victoria Eugenia

Abstract

[EN] The main objective of this research is to study the garden of the Benlliure House-Studio to try to identify its original configuration and characterize this configuration from the perspective of landscape architecture. The garden of the Benlliure House-Studio, built between 1896 and 1920, is a space of notable interest located in the Carmen neighbourhood of Valen-cia. This garden fully complies with the definition and characterization of historical gardens included in the Charter of Florence, since it is a cultural landscape, in this case a small private garden, which has been shaped by humans. and has endured over time, acquiring a relevant social, historical, and artistic significance, given that it belongs to the residence and studio of the Valencian painter José Benlliure Gil (1856-1937) and his family. Despite the various publications and studies dedicated to the Benlliure House Study, no exhaustive research has been carried out on its garden, which has become an unexplored topic of study. The uniqueness of this garden as one of the rare examples of bourgeois gardens in the city further underlines its relevance in the field of research. Furthermore, its condition as a garden created by an artist allows us to explore the interrelationship between the garden itself and the work of José Benlliure. It should be noted that the garden is an integral part of the museum complex, property of the Valencia City Council, which includes the painter's house and studio, thus becoming a space accessible to the public. The research carried out on the garden of the Benlliure House Studio begins with the analysis of its historical evolution and its current state, together with the evaluation of the information available about the original design. This information will allow us to carry out a comparative analysis of the current state and the original state of the garden in the times of the Benlliure family. Next, the references are studied for their characterization, both in the field of theory and practice of private garden design in landscaping and in the pictorial art of the late 19th century and early 20th century, to establish comparisons with the garden under study. Finally, a final evaluation and identification of its characterizing elements is carried out, from which an interpretation of the Benlliure garden as a palimpsest emerges. The analysis and characterization carried out from the perspective of landscape architecture can be the basis for its recognition as a Singular Garden by the administration and a first step towards future restitution of the garden of the Benlliure House-Museum in the context of current nature of a House-Museum, allowing us to propose the future of the current garden from bases based on the knowledge of its past. (Summary)

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