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Herrero-Cortell, Miguel ángelAutor o coautorPuig-Sanchis, IsidroAutor o coautor

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De piedra negra, tinta aguada, y albayalde. Las técnicas de dibujo de Joan de Joanes y el 'estado del arte' en la Valencia del siglo XVI. ¿Tradición o innovación?

Publicat a:Ars Longa. (28): 69-89 - 2019-01-01 (28), DOI: 10.7203/arslonga.28.14390

Autors: Herrero-Cortell, Miguel Ángel; PUIG-SANCHIS, ISIDRO

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The present paper intends to make a brief analysis of the corpus of drawings on paper attributed to Joan de Joanes and his most direct followers, from a metaformal approach, going into the very genesis of such designs, from their conception to their functions. There are very few references about the graphic procedures used by the painter and, in general, the question of his drawings has always been approached from the traditional perspective of iconographic and formal confrontation. There is an evident lack of deepening in questions that, in our opinion, are key to understanding a such complex figure. How much debit is there between the graphic ductus of Joanes and that of his father? And what relationship does it have with the Hispanic tradition? To what extent can it be the display of Italian models and prints responsible for its marked Italianism? A revision devoted to technique and the procedures is done to explain the links between his drawing and his pictorial methodology (beyond the superficial appearance). These are aspects that, ultimately, have their roots in the pictorial praxis and in the rudiments of the job. They constitute the working mechanisms of the workshop. The article finally intends to deal with aspects such as the fixation of models or the use of mechanical procedures of transferring. © 2019 Universitat de Valencia. All rights reserved.

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