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Analysis of institutional authors

Herrero-Cortell, Miguel ángelAuthorPuig-Sanchis, IsidroAuthor

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De piedra negra, tinta aguada, y albayalde. Las técnicas de dibujo de Joan de Joanes y el 'estado del arte' en la Valencia del siglo XVI. ¿Tradición o innovación?

Publicated to:Ars Longa. (28): 69-89 - 2019-01-01 (28), DOI: 10.7203/arslonga.28.14390

Authors: Herrero-Cortell, Miguel Ángel; PUIG-SANCHIS, ISIDRO

Affiliations

Departamento de Comunicación Audiovisual; Documentación e Historia del Arte; Universitat Politècnica de València; Spain - Author

Abstract

The present paper intends to make a brief analysis of the corpus of drawings on paper attributed to Joan de Joanes and his most direct followers, from a metaformal approach, going into the very genesis of such designs, from their conception to their functions. There are very few references about the graphic procedures used by the painter and, in general, the question of his drawings has always been approached from the traditional perspective of iconographic and formal confrontation. There is an evident lack of deepening in questions that, in our opinion, are key to understanding a such complex figure. How much debit is there between the graphic ductus of Joanes and that of his father? And what relationship does it have with the Hispanic tradition? To what extent can it be the display of Italian models and prints responsible for its marked Italianism? A revision devoted to technique and the procedures is done to explain the links between his drawing and his pictorial methodology (beyond the superficial appearance). These are aspects that, ultimately, have their roots in the pictorial praxis and in the rudiments of the job. They constitute the working mechanisms of the workshop. The article finally intends to deal with aspects such as the fixation of models or the use of mechanical procedures of transferring. © 2019 Universitat de Valencia. All rights reserved.

Keywords

DibujosDrawingsGraphic proceduresJoan de joanesPapelPaperProcedimientos gráficosRenacimientoRenaissance

Quality index

Bibliometric impact. Analysis of the contribution and dissemination channel

Independientemente del impacto esperado determinado por el canal de difusión, es importante destacar el impacto real observado de la propia aportación.

Según las diferentes agencias de indexación, el número de citas acumuladas por esta publicación hasta la fecha 2025-06-15:

  • Scopus: 1

Impact and social visibility

From the perspective of influence or social adoption, and based on metrics associated with mentions and interactions provided by agencies specializing in calculating the so-called "Alternative or Social Metrics," we can highlight as of 2025-06-15:

  • The use of this contribution in bookmarks, code forks, additions to favorite lists for recurrent reading, as well as general views, indicates that someone is using the publication as a basis for their current work. This may be a notable indicator of future more formal and academic citations. This claim is supported by the result of the "Capture" indicator, which yields a total of: 4 (PlumX).

It is essential to present evidence supporting full alignment with institutional principles and guidelines on Open Science and the Conservation and Dissemination of Intellectual Heritage. A clear example of this is:

  • The work has been submitted to a journal whose editorial policy allows open Open Access publication.
  • Assignment of a Handle/URN as an identifier within the deposit in the Institutional Repository: http://hdl.handle.net/10251/154105

Leadership analysis of institutional authors

There is a significant leadership presence as some of the institution’s authors appear as the first or last signer, detailed as follows: First Author (HERRERO CORTELL, MIGUEL ÁNGEL) and Last Author (PUIG SANCHIS, ISIDRO).